SAT Scholastic Aptitude Test Set 6

He was a un-common small man, he really was. Certainly not so small as he was made out to be, but where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and what he had inside that Ed, nobody ever knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do. The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother. You never heerd him give a ill- name to a Giant. He DID allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions. He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are. One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because HE had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrary, hated it. He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am." Which is the most likely reason for the author to include the paragraph concerning the barrel-organ in 5th paragraph?

He was a un-common small man, he really was. Certainly not so small as he was made out to be, but where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and what he had inside that Ed, nobody ever knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do. The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions. He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are. One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because HE had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrary, hated it. He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am." Which selection best represents the device displayed in the overall excerpts but especially summated in the last paragraph in last paragraph?

He was a un-common small man, he really was. Certainly not so small as he was made out to be, but where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and what he had inside that Ed, nobody ever knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do. The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions. He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are. One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because HE had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrary, hated it. He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am." Which of the selections best describes the general commentary on society represented in this excerpt?

He was a un-common small man, he really was. Certainly not so small as he was made out to be, but where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and what he had inside that Ed, nobody ever knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do. The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions. He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are. One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because HE had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrary, hated it. He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am." Which of the selections would make the best alternative title for this work?

Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance. He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's estimation. The man to whom you confide the superintendence of your clerks and the transaction of your business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker was now offended on his side. "I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and withdrew. Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles Mountjoy's clerk. In context, the words "irritating reserve" in first paragraph is best represented by the word

Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance. He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's estimation. The man to whom you confide the superintendence of your clerks and the transaction of your business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker was now offended on his side. "I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and withdrew. Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles Mountjoy's clerk. Which selection best describes the overall feeling expressed by Sir Giles in 2nd paragraph?

Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance. He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's estimation. The man to whom you confide the superintendence of your clerks and the transaction of your business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker was now offended on his side. "I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and withdrew. Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles Mountjoy's clerk. In context, the word "rebuked" is best represented by

Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance. He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's estimation. The man to whom you confide the superintendence of your clerks and the transaction of your business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker was now offended on his side. "I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and withdrew. Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles Mountjoy's clerk. Which selection identifies the device exemplified with "Did these acts of humility mean that he submitted?" last paragraph?

The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them--everywhere the work of reproduction going forward! I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what the matter was. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four- and-thirty he must try and act the part consistently. In context, the word "glutinous" most nearly means?

The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them--everywhere the work of reproduction going forward! I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what the matter was. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four- and-thirty he must try and act the part consistently. In 1st paragraph, the word "lambs" is an example of which device?